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They have been large and small. This one is a modest, scattershot affair, mostly of works on paper. But despite limitations in size 50 pieces and some questionable curatorial decisions, it offers bare-bones guidelines for the more ambitious projects that one hopes will follow. Weinberg's use of sexual orientation as a lens for historical inquiry has prompted the predictable head shaking, even though it has long been deemed a perfectly acceptable basis for considering the careers of heterosexual artists, from Rembrandt to Picasso. But whatever one's thoughts on the viability of his approach, there is no question that Mr.
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The Archive: Issue 57 Summer by Leslie-Lohman Museum of Art - Issuu

Accredited by the New York State Board of Regents, the Museum has over 30, objects in its collections, spanning more than three centuries of queer art. The Museum hosts major exhibitions annually, artist talks, film screenings, panel discussions, readings, and other events. In addition, the Museum publishes The Archive, a quarterly educational art publication, and maintains a substantial research library. The Museum is the premier resource for anyone interested in the rich legacy of the LGBTQ community and its influence on and confrontation with the mainstream art world. There is no other organization in the world like it. It is exempt from taxation under section c 3 of the IRS code. That Foundation was created by Charles W.
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ART REVIEW; Waking Up to Dormant Gay Imagery

May 14, Moreover, I suggest that Hartley encoded his sitter as indigenous in order to emulate masculine stereotypes often associated with Native Americans — such as ruggedness, virility, and closeness to nature — thereby diverting suspicions about his own sexual nonconformity. After I have gone north and by north I mean toward Scandinavia among the golden faced people I will probably see these dark ones more clearly. The blond races always represent light to me, and the others the absence of it; And I never felt this more keenly or more pleasurably I think than when I was getting on board the Orinoco last spring at the dock in Vera Cruz, [Mexico].
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This idea was not new, of course, but the book put a lot of flesh on it. And this spring in New York, there are several art exhibits that bring it to life in vivid and exciting ways, mixing artistic masterpieces with artifacts illuminating the relations between these lovers, friends, and circles, and the artistic products that they worked on individually e. I have seen two of these shows so far, but since one of them is only up until April 13, I thought it would be good to tell you about them right away. The exhibition displays a number of rarely seen works, many of which embody the gay networks that are at the heart of the show. Although it is owned by the MFA in Boston, it has never to my knowledge been on display there.
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